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Raised on an island off Massachusetts by a mother who wrote songs for famous musicians, Jane Quinn is singing in her own band before she's old enough to even read music. When folk legend Jesse Reid hears about Jane's performance at the island's music festival, a star is born—and so is a passionate love affair: they become inseparable when her band joins his on tour. Wary of being cast as his girlfriend—and haunted by her mother's shattered ambitions— Jane shields her relationship from the public eye, but Jesse's star power pulls her into his orbit of fame. Caught up in the thrill of the road and the profound and lustful connection she has with Jesse, Jane is blind-sided by the discovery she makes about the dark secret beneath his music. Heartbroken and blackballed by the industry, Jane is now truly on her own: to make the music she loves, and to make peace with her family Shot through with the lyrics, the icons, the lore, the adrenaline of the early 70s music scene, Songs in Ursa Major pulses with romantic longing and asks the question so many female artists must face: What are we willing to sacrifice for our dreams?
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Creators
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Publisher
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Release date
June 22, 2021 -
Formats
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OverDrive Listen audiobook
- ISBN: 9780593410745
- File size: 309940 KB
- Duration: 10:45:42
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Languages
- English
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Reviews
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April 26, 2021
Brodie’s breezy debut draws on the American soft rock music scene of the 1960s and ’70s to mixed results. In the summer of 1969, “heir apparent of folk rock” Jesse Reid is supposed to perform at a famous festival on an island off the coast of Massachusetts that bears more than a passing resemblance to Martha’s Vineyard. When Jesse is suddenly sidelined by a motorcycle accident, local band The Breakers, led by 19-year-old Jane Quinn, takes his place, to resounding success. Soon, Jesse’s manager offers to make Jane a star, and Jane visits gorgeous, tormented Jesse at his parents’ island mansion, where he is recovering from his injuries. After Jane and her band get a record contract and start touring with Jesse, Jane and Jesse become romantically involved, and she becomes aware of his increasing dependence on drugs. Brodie’s narrative is at its best when focused on the mechanics and politics of music production, which emerge from the perspectives of the band’s manager and sound engineer. Brodie also has a clear grasp of the hurdles faced by Jane as a female musician, but the romantic and erotic aspects of the novel are less convincing (“his hands gripping her hips like handles on a plow”). In the end, this riff on A Star Is Born doesn’t transcend its well-worn origins.
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