Strangers Drowning

July 6, 2015
This gripping first book from New Yorker staff writer MacFarquhar is a scrupulous study of people selflessly devoted to helping others. In the introduction, she distinguishes between "heroes" (who help their families or communities in times of need) and "do-gooders" (who feel a moral obligation to help strangers, or other species), discussing why people invariably admire the former and don't always like or trust the latter. MacFarquhar goes on to profile various do-gooders: an animal-rights activist driven to give voice to the plight of chickens, a man who founded a leper colony in India at a time when coming into contact with lepers was unthinkable, and a woman who feels compelled to give everything she possibly can to organizations that will help the most people, among others. These singular biographies are threaded together with chapters examining the cultural history of how we view altruism, including the implications of Darwin's theory of natural selection, Freudian pathologizing of selflessness, the creation of Alcoholics Anonymous, and the rise of the theory of codependency. MacFarquhar herself takes no stance for or against do-gooders, or about why they make the choices they do, but the book is no less engrossing and thought provoking for its lack of concrete answers. Agent: Sarah Chalfant, Wylie Agency.

July 1, 2015
A New Yorker staff writer delves into the strange lives and curious mindsets of extreme altruists. In her debut book, MacFarquhar profiles a small, unusual collection of people who have sacrificed almost everything to help others. She calls them "do-gooders," but their morals are so acute that they can seem almost mad, like saints and martyrs. A trust-funder-turned-animal activist descends into homelessness in the name of his cause. A couple in Boston gives the vast majority of their earnings to charity but struggles with the idea of having children. A couple in Philadelphia adopts more than 20 special needs children despite the terrible cost to their own fragile psyches. A woman donates a kidney to a stranger, and her act inspires a terrible hostility from other strangers. A Buddhist priest in Japan counsels people who want to commit suicide only to have them turn on him in his hour of need. In between these profiles, MacFarquhar explores a variety of disciplines, including philosophy, religion, psychology, sociology, and literature. It's admirable that the book never descends into an opaque discussion of moral philosophy. As the author admits, "in the abstract, there are ideas about saints and perfection. Only actual lives convey fully and in a visceral way the beauty and cost of a certain kind of moral existence." The book is less a defense of sainthood than a portrait of people for whom the desire to do good often backfires, sometimes with horrible results. Yet MacFarquhar also discovers an intense compassion for these people whose lives she admires but cannot always understand. "It may be true that not everyone should be a do-gooder," the author writes. "But it is also true that these strange, hopeful, tough, idealistic, demanding, life-threatening, and relentless people, by their extravagant example, help keep those life-sustaining qualities alive." Fascinating and terrifying portraits of saints and ministers of grace.

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November 30, 2015
New Yorker writer MacFarquhar brings an air of confidence and competence to the audio rendering of her debut title, which explores the lives of those known as do-gooders. As narrator, MacFarquhar seems most at ease in the portions of the book where her subjects engage in candid dialogue with friends, family, and one another; she portrays the give and take of these conversations in a natural and engaging manner. The best example involves Vermont natives Sue and Hector Badeau, whose deep religious faith led them to adopt more than 20 children with a host of special needs. MacFarquhar may not be a professional voice actor, but when she delves into the nitty-gritty of day-to-day struggles and sacrifices, she makes an emotional connection with her listening audience. A Penguin Press hardcover.