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Cloudsplitter

A Novel

Audiobook
2 of 2 copies available
2 of 2 copies available

""Deeply affecting. . . . Like the best novels of Nadine Gordimer, it makes us appreciate the dynamic between the personal and the political, the public and the private, and the costs and causes of radical belief."" New York Times

A triumph of the imagination and a masterpiece of modern storytelling, Cloudsplitter is narrated by the enigmatic Owen Brown, last surviving son of America's most famous and still controversial political terrorist and martyr, John Brown.

Deeply researched, brilliantly plotted, and peopled with a cast of unforgettable characters both historical and wholly invented, Cloudsplitter is dazzling in its re-creation of the political and social landscape of our history during the years before the Civil War, when slavery was tearing the country apart. But within this broader scope, Russell Banks has given us a riveting, suspenseful, heartbreaking narrative filled with intimate scenes of domestic life, of violence and action in battle, of romance and familial life and death that make the reader feel in astonishing ways what it is like to be alive in that time.

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  • Reviews

    • AudioFile Magazine
      The John Brown story is fictionalized in minute detail by Russell Banks; told through the remembrances of Owen Brown, his son; and narrated remarkably well by John Edwardson. Edwardson stays on track with the author's characterization of the self-righteous, relentless Bible-thumping Brown, whose martyrdom to a political cause becomes holy and whose family is destroyed in his terrorist approach to freeing the country from slavery. Now and then there is dialogue interspersed between passages from the Old Testament, and Edwardson is able to show the scope of his excellent narrative ability. He breathes life into the solemn landscape and a brief touch of sunshine flickers through a dour listening experience. J.P. (c)AudioFile, Portland, Maine
    • Library Journal

      Starred review from February 1, 1998
      At first glance, aside from the setting, this massive novelized life of Abolitionist John Brown, told from the viewpoint of one of his sons, has nothing in common with Banks's book of outlaw excess, Rule of the Bone (HarperCollins, 1995). Yet both deal with single-mindedness, rebellion, and codes--except that Brown's versions of these are more honorable (he would have agreed with Dylan that "to live outside the law you must be honest"). This book has all the stark beauty of the Adirondacks setting and of Brown's religion, and the elderly, reclusive narrator's coming to terms with himself and his father is an achievement in its own right. Besides, like the works of Thomas Mallon and Thomas Gifford, this is not just a fine novel (and a wonderfully structured one at that) but a way to participate in history. Recommended, without hyperbole, for all collections. [Previewed in Prepub Alert, LJ 11/15/97.]--Robert E. Brown, Onondaga Cty. P.L., Oswego, N.Y.

    • Library Journal

      November 15, 1997
      Like Bruce Olds's recent Raising Holy Hell (LJ 6/15/96), this new novel from award winner Banks re-creates the life of John Brown.

    • Booklist

      December 1, 1997
      Making a case that long novels by definition are not necessarily flabby, Banks' opus, perhaps his best novel, reaches deeply into its subject matter, but with clean, tight, stunning results. A historical novel by classification, this one becomes, in addition, a profound novel of psychology. It focuses on the life of John Brown, the infamous abolitionist whose notorious 1859 raid on Harper's Ferry, Virginia, led to his execution. The vehicle by which Banks so thoroughly and engagingly reconstructs Brown's leadership of his antislavery band and their increasingly drastic actions ("Our specialty would be killing men who wished to own other men") is having Brown's third son, Owen, relate it all in his own intimate, felicitous fashion to a historian years after the fact. What is so dramatically revealed by this technique is how Brown brought up his children to be his followers ("It was his gentleness, not his huge, male ferocity, that gathered us in and kept us there"). The reader sees less a madman in Brown than an ardent self-believer, and what the reader sees in author Banks is a sensitive comprehension of Brown, about whom Owen says, "Nothing human beings did with or to one another or themselves shocked him. Only slavery shocked him." Much more straightforward and less impressionistic than Bruce Olds' novel about John Brown, "Raising Holy Hell" (1995)--but no less effective; expect high demand from Banks' fans as well as lovers of historical fiction. ((Reviewed December 1, 1997))(Reprinted with permission of Booklist, copyright 1997, American Library Association.)

    • AudioFile Magazine
      The self-conscious, unsure son of abolitionist John Brown tells his story in a novel of racial and generational conflict. The young man wrestles with slavery, his fanatical father, his hormones and his God all at the same time and even manages some inspiring victories. Gravelly voiced George DelHoyo gives a great deal of soul to the hero and a feeling of authenticity to his other characterizations as well. Listeners need to exercise a little patience because DelHoyo takes his time entering the world of the novel. He grows into his character slowly as he reads, so that his performance on the last side of these cassettes is far richer than on the first. Fortunately, the author's evocative writing carries him until he reaches cruising speed. Y.R. (c)AudioFile, Portland, Maine

Formats

  • OverDrive Listen audiobook

subjects

Languages

  • English

Levels

  • ATOS Level:8.3
  • Interest Level:9-12(UG)
  • Text Difficulty:7

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